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  • Brahms, Copland & more
  • Saturday, Feb. 24th & Sunday, Feb. 25th
  • Guest Maestro: David Lockington

Credit for Instruments: David Sussan, Credit for Portrait: Terry Johnston

SATURDAY, February 24th, 2018 at 8pm
SUNDAY, February 25th, 2018 at 3pm
Guest Conductor: David Lockington

Copland Music for the Theatre
Saint-Saëns Cello Concerto No. 1 in A minor
           Joshua Roman, cello

Popper Hungarian Rhapsody for Cello and Orchestra
          Joshua Roman, cello

Haydn Symphony No. 22 in E-flat Major
Brahms Haydn Variations
Lockington Ceremonial Fantasy Fanfare


Click HERE HERE to read the Program Notes

Learn More: FREE Behind the Baton lecture one hour pre-concert with our conductor
Just for Kids: FREE interactive MusiKids program on Sundays at 2pm

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Meet David Lockington
Over the past thirty years, David Lockington has developed an impressive conducting career in the United States. A native of Great Britain, he served as the Music Director of the Grand Rapids Symphony from January 1999 to May 2015, and is currently the orchestra’s Conductor Laureate. He has held the position of Music Director with the Modesto Symphony since May 2007 and in March 2013, Mr. Lockington was appointed Music Director of the Pasadena Symphony. He has a close relationship with the Orquesta Sinfonica del Principado de Asturias in Spain, where he was the orchestra’s Principal Guest Conductor from 2012 through 2016, and in the 15/16 season was named one of three Artistic Partners with the Northwest Sinfonietta in Tacoma, Washington.

In addition to his current posts, since his arrival to the United States in 1978 Mr. Lockington has held positions with several other American orchestras, including serving as Assistant Conductor of the Denver Symphony Orchestra and Opera Colorado, and Assistant and Associate Conductor of the Baltimore Symphony Orchestra. In May 1993 he accepted the position of Music Director of the Ohio Chamber Orchestra, assumed the title of Music Director of the New Mexico Symphony Orchestra in September 1995 and was Music Director of the Long Island Philharmonic for the 96/97 through 99/2000 seasons.

Mr. Lockington's guest conducting engagements include appearances with the Saint Louis, Houston, Detroit, Seattle, Toronto, Vancouver, Oregon and Phoenix symphonies; the Rochester and Louisiana Philharmonics; and the Orchestra of St. Luke's at Carnegie Hall. Internationally, he has conducted the Northern Sinfonia in Great Britain, the Israel Chamber Orchestra, the China Broadcasting Symphony Orchestra in Beijing and Taiwan,and led the English Chamber Orchestra on a tour in Asia.

Recent and upcoming guest conducting engagements include appearances with the New Jersey, Indianapolis, Vancouver, Utah, Pacific, Colorado, Nashville, San Diego, Santa Barbara, Edmonton, Alabama, Tucson and Kansas City symphonies, the Florida and Louisville Orchestras, the National Arts Centre Orchestra in Ottawa and the Buffalo, Calgary and Oklahoma Philharmonics. Mr. Lockington's summer festival activities include appearances at the Grand Teton, Colorado Music, Interlochen, Chautauqua and Eastern Music festivals.
David Lockington began his career as a cellist and was the Principal with the National Youth Orchestra of Great Britain for two years. After completing his Bachelor of Arts degree at the University of Cambridge, where he was a choral scholar, Mr. Lockington came to the United States on a scholarship to Yale University where he received his Master's degree in cello performance and studied conducting with Otto Werner Mueller. He was a member of the New Haven Symphony Orchestra and served as assistant principal cellist with the Denver Symphony Orchestra for three years before turning to conducting.


Meet Joshua Roman
“A cellist of extraordinary technical and musical gifts.”
San Francisco Chronicle
Joshua Roman has earned an international reputation for his wide-ranging repertoire, a commitment to communicating the essence of music in visionary ways, artistic leadership and versatility. As well as being a celebrated performer, he is recognized as an accomplished composer and curator, and was named a TED Senior Fellow in 2015.
During the 2016-17 season, Roman will play Mason Bates’s Cello Concerto with four different orchestras: the Portland, Berkeley, Spokane, and Memphis Symphonies. The concerto is dedicated to the cellist, who premiered it with the Seattle Symphony in 2014, and has since played it around the U.S. In the second of two performances with the Omaha Symphony he plays Dreamsongs, a cello concerto written for him by Pulitzer Prize-winning composer Aaron Jay Kernis, after a concert featuring Tchaikovsky’s Pezzo Capriccioso and Variations on a Rococo Theme. He continues to pursue his artistic vision as Artistic Director of TownMusic at Town Hall Seattle, where last season he presented his own song cycle, … we do it to one another, and as Artistic Advisor of Seattle’s Second Inversion.
Before embarking on a solo career, Roman spent two seasons as principal cellist of the Seattle Symphony, a position he won in 2006 at the age of 22. Since that time he has appeared as a soloist with the San Francisco Symphony, Seattle Symphony, Los Angeles Philharmonic, BBC Scottish Symphony, Moscow State Symphony and Mariinsky Orchestra, among many others. An active chamber musician, Roman has collaborated with Cho-Liang Lin, Assad Brothers, Christian Zacharias, Yo-Yo Ma, the JACK Quartet, the Enso String Quartet and Talea Ensemble. His YouTube series (youtube.com/joshuaromancello), “Everyday Bach,” features Roman performing Bach’s cello suites from beautiful settings around the world. He was the only guest artist invited to play an unaccompanied solo during the YouTube Symphony Orchestra’s 2009 debut concert at Carnegie Hall, and has given a solo performance on the TED2015 main stage. Roman is grateful for the loan of an 1899 cello by Giulio Degani of Venice.

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AGE RESTRICTIONS: Unless listed as a Family or Children’s event, most performances are intended for teens & adults. We welcome children under the age of 3 or 4 years old for family entertainment, but we do not recommend they attend more mature offerings.
Everyone, regardless of age, must have a ticket to enter the theatre.